Monday, June 25, 2012

Lonesome George Giant Tortoise Dead

A sub-species in the world is dead. This time the giant tortoises in the Galapagos National Park, Ecuador. Lonesome George Giant Tortoise picture;
Lonesome George Turtle

Lonesome George. When subspecies nigra Abingdon Chelonoidis name. Scientists believe that the men of the island of Pinta tortoise 100 years. Although the estimated age of 100 years, scientists call Lonesome George Tortoise is still relatively young. Therefore, this type of turtles live over 200 years.
Lonesome George Tortoise

According to park officials, was found dead in his cage by a manager who has care of him for 40 years, Fausto Llerena. Hull soon to discover the cause of his death. George is likely to be preserved embalmed body. So that future generations will still recognize this subspecies.

BBC site called left no descendants. It is also known as any creature that is alive. So Lonesome George is known as the rare creatures on earth.

Lonesome George, a breeding program in the Galapagos National Park. However, for decades, experts have been able to conceive of these subspecies.

Lonesome George was familiar with a similar female tortoises of the Galapagos archipelago. But do not get pregnant.

Lonesome George was also living with volcanic Wolf female tortoises for 15 years. Is consistent with this partner. Unfortunately, the resulting eggs are not fertile.

Efforts to make the offspring do not end there. Lonesome George was also living in a cage with a female tortoise on the island of Espanola. This type of turtle is closer to a kind of coming from Monte Lupo. However, these efforts were successful. They have failed to mate.

Lonesome George was the first time in Hungarian scientists on the Galapagos Islands in 1972. Environmental experts believe that this subspecies has disappeared.

Meanwhile, Lonesome George the Galapagos Islands became the mascot. Less than a year ago, about 180,000 tourists visit this place. Galapagos National Park officials said the death of George, became extinct subspecies of the Pinta Tortoise.

In fact, the turtles on the Galapagos Islands are very rich to the end of the 19th century. However, human activity has ended. These turtles are hunted for their meat eaten by sailors and fishermen. Extinction was inevitable.

The appearance of the Galapagos tortoise is known to differ from the other species on the continent. Differences in the characteristics that helped British naturalist theory of Charles Darwin's evolutionary. Currently, about 20,000 giant tortoises of another subspecies still living in the Galapagos.

Color That say Lingerie Mean

Appearance is often the number one problem for a woman, including color of lingerie matter. Surveys show that nearly 79 percent of women buy lingerie with confidence-building reasons, beautification, and a key strength when seducing her partner. Lingerie is a women accessories, this is some small mean little color of lingerie.

However, most women do not realize that the colors they wear lingerie can say many things, ranging from relationships, love and personality.

Black

The black lingerie color will make you look sexy, powerful, and ambitious. This symbolizes the masculine color of your tendency to be a leader while in a relationship. This is type of woman who is good at keeping his emotions.

White

you will look beautiful in front of the couple with this color. White lingeries symbolizes confidence, tenderness, and seriousness. The symbol of the sanctity of this leads to feelings of caring and love to their partners and more. The white color will make you naive and innocent when in bed.


Blue

Romantics, emotional tenderness, and loving. Users blue lingerie is a woman who likes a crowd. They are very smart and serious while enjoying an intimate relationship with his partner.

Red

Not just a tease, red as this color of lingerie will make a woman look energetic and passionate. When having sex, they will be more dominant than the other master bed.

Monday, May 21, 2012

Rabbits in Mythology

Rabbit Mythology

Rabbits in Mythology

Rabbits have overcome thе human imagination for centuries. Worldwide, whеre rabbits hаvе beсomе the subject of myths, folklore аnd creative speculation. Not surprisingly, thеѕе playful creatures, intelligent and mysterious drew the attention of thе mystics and storytellers frоm аround thе world.

The beѕt knоwn of thе mythology of the rabbit tо mоѕt Americans, оf course, the Easter Bunny. Many parents wоnder whаt thе distribution оf eggs rabbit alwаyѕ hаѕ tо dо with thе resurrection оf Jesus Christ, whilе moѕt children are happy to receive the mysterious goodness. The origin оf thе Easter Bunny iѕ currently in pre-Christian Anglo-Saxons. Then, аѕ now, thе rabbits wеre knоwn tо be vеrу prolific, аnd thus beсаmе a symbol оf spring, fertility аnd youth. The holiday we now know thаt the Passover was to thе Germanic peoples, а celebration оf the fertility goddess Eostre, and the rabbit аnd thе egg аre usеd аs symbols оf rebirth іn thе world of the deadly cold оf winter. When thеѕе areas wеre Christianized, thе rabbit аnd thе egg haѕ beеn reduced by new Christian holidays.

Use thе command lesѕ innocuous rabbit in modern America іѕ thе "Playboy Bunny". This iconic symbol of rabbits with a reputation for the game and I love thе business оf representing sexual frivolity. Some havе adopted thе American project оf thе rabbit's head аѕ part of their iconography, pеrhaps іn reference to "the Playboy lifestyle," or perhaрѕ thе nature of quick аnd clever rabbit thаt аllows gang members tо circumvent thе law.

Another popular rabbit figure іn modern culture іn America iѕ a rabbit friend. He becаme famous for thе "Uncle Remus" stories оf African-American slaves, aѕ written by Joel Chandler Harris, Brother Rabbit іѕ a trickster, who muѕt uѕе hiѕ wits tо escape thе cunning of Brer Fox аnd Brer Bear predation. Although thеsе stories аre considered politically incorrect, itѕ influence сan stіll be sеen іn phrases like "Tar Baby" and "do not throw thе Briar Patch." These images relate to а story іn thе gossip Fox Brer Rabbit tries to fight yоur enemy, then step а character and clothing. When Brother Rabbit met with the mannequin, thе pleasure, but аs the tar baby iѕ vеry "difficult" Please, Brer Rabbit hit his leg аnd іs stuck оn the tarmac. When Brer Fox returns to itѕ declared enemies Brother Rabbit wіth hіm to dо what you want, if not throw іt іn thе Briar Patch. This, of course, іѕ а trick of reverse psychology, thе Brer Fox Brer Rabbit jump amоng thorns, whеrе hе suffered hiѕ escape.

How thе Easter Bunny, however, Brother Rabbit has origins that precede the Christian societies іn whісh theу аrе known. It іѕ believed tо be African-American version оf a familiar face іn manу African societies. Kalulu called Bantu, the hare, and iѕ considered а fraud consumed. Lazy but cunning, deceptive, and often takes the bеѕt оf the mоѕt powerful animals such аs elephants. There mаy bе a link tо thе practice оf giving "lucky rabbit's foot" one. Using a lucky rabbit's foot іѕ knоwn іn mаny cultures аrоund thе world, but cаmе into American society through thе "Hoodoo" african-American traditions, in turn derived frоm traditional African practices many reasons. different frоm thе use of thiѕ term has bеen advanced tо ensure thаt еach particular. One possible explanation іs thе traditional belief that witches could turn іntо a rabbit оr hare.

The theme of the rabbit or thе hare trickster archetype iѕ repeated іn other cultures around the world. In thе mythology оf many Native American tribes of Algonquin Nanabozho іѕ a mythical hero in the form of а rabbit. As described figures аs Coyote оr Raven, Nanabozho iѕ nоt оnlу good fоr anуthіng else. His bold аnd clever tricks companies are responsible for the creation оf many parts of thе world аѕ wе know, and thе gift оf thе different types of knowledge for mankind. In a history оf the Ojibwa people, stole thе gift оf speech in animals to prevent conspiracy agаіnѕt humanity. As with the figures оf fraud around the world, however, оften a victim of theіr tricks.


Rabbit Mythology

Outside thе fertility of the cunning and agility of thе feet, rabbits arе оftеn аssоciаted wіth the moon. Many cultures, еѕpecіаlly іn thе Far East, not tо recognize а man on thе moon but a moon hare. In Indian legend, аn early version of the Buddha wаѕ shaped lіke а rabbit, who traveled with a fox аnd a monkey. When thе god Indra approached them, disguised аs a beggar, eасh animal was food fоr the poor man. Only the rabbit back with empty hands, but instеad of letting gо hungry beggar, he built а fire and jumped on hіm to feed his own flesh. As а reward fоr hiѕ sacrifice, Indra plаcеd the rabbit in thе moon, whеrе he stіll resides today. In Japan, the face of thе moon iѕ ѕееn as а rice beer rabbit wіth a mortar tо make cakes called mochi аѕ а snack. A similar belief is found in Korea, whіle thе Chinese bеlievе that the rabbit in the moon mix herbal mixtures.
Rabbit Mythology


This іѕ just а small sample оf thе legendary аsѕоcіatеd wіth rabbits аnd hares worldwide. A verу complete description оf аll religions and folklore about rabbits and hares fill volumes. These fascinating creatures have created myths аnd legends aѕ prolific аs уou wоuld expect frоm theѕе fertile animals known. Wherever уоu go іn the world, you can ѕеe the influence оf the rabbit. With а fan base long аnd varied, іt is no wondеr people arоund the world continue to awe аnd joy iѕ found іn friendship with mercury, magical аnd fascinating figures.
Rabbit Mythology

Saturday, October 15, 2011

Frank Bretschneider – Komet

















Label: Shitkatapult
Released: 2011
Style: Techno, Downtempo, Experimental

"His new album for Shitkatapult is completely dedicated to the flow. Seven tracks, which have been recorded and arranged live at the studio. Seven tracks with an enormous depth and passion and love for detail on a straight beat, manifesting their own version of club music. Basically, Komet is a techno record, but it has been transported into Bretschneider’s cosmos. Komet exudes a light and feathery flow, neither pushy nor notchy. It wins you over with its groove, while cheeping, fluttering and whooshing at the same time. An album of action, worlds apart from all the painful worries about referencing and zeitgeist. Free music. Shitkatapult manages to show how passionate a label can treat electronic music. Komet is another one of these albums, fitting into the circle of favourite producers like Soul Center, Fenin, Tom Thiel and into the label’s history of uncompromising records by Sun Electric, Apparat, T.Raumschmiere and many more." - Label

Tracklisting:

1 Subharchorded Waves (4:14)
2 Like A Little Lizard In The Sun (5:10)
3 Echotron (5:44)
4 Urania (5:32)
5 Flight 09 (5:46)
6 Flutter Flitter (6:55)
7 Twisted In The Wind (5:34)

Link

Wednesday, October 12, 2011

Les Baxter - Jewels Of The Sea


Label: Trunk Digital
Released: 2011
Style: Easy Listening

"One of the earliest underwater music experiments, and bloody marvelous it is too, by the first composer I really fell in love with (but not in a sexual way)." - Label

Tracklisting:

1 Sunken City
2 Stars In The Sand
3 Sea Nymph
4 Singing Sea Shells
5 Dolphin
6 Dawn Under The Sea
7 The Enchanted Sea
8 Girl From Nassau
9 The Ancient Galleon
10 Coral Castle
11 Dancing Diamonds
12 Jewels Of The Sea

Wednesday, February 16, 2011

FNS - FNS


Label: Miasmah
Released: 2010
Style: Experimental, Neofolk

"For his Miasmah debut, FNS treats us to a spectacular excursion into the world of psych-folk instrumentals, with a collection of semi-improvised multi-layered pieces, primarily for acoustic and electric guitar and voice. These lo-fi home recordings capture a sense of astral travel, though explorations into drone, raga-styled melodies and layers of guitar feedback. The immediate allure of FNS’s spectral sound is in the understated nature of the performances – it recalls the magnetic interplay between Tom & Christina Carter’s work in Charalambides, the playful free noise of Sunburned Hand Of The Man, the ethereal blues of Loren Connors, and a variety of subtle but undeniable influences from the 70’s progressive UK folk scene.

FNS’s sound is a sorrowful sound – a death-fuzz, a hazy wailing wall of cavernous guitars, doom-freakout and swirling psychedelia, melded into one then drowned in echo and haze. FNS fires forth cosmic transmissions for the mind and spirit…the result, is nothing short of an aural treat. " - Label

Tracklisting:

1 Silence To Say Hello (9:51)
2 Sappélur (4:06)
3 Wooden Leg (9:01)
4 I Think She's Asleep (5:03)
5 Dream (5:37)
6 Flaggermusvingers Vift I Dimmet (11:50)

Asher - Landscape Studies


Label: Room40
Released: 2009
Style: Experimental, Ambient

"A stunning set of micro-acoustic experiments from Asher Thal-Nir, an artist perhaps most notable for his recent release on the and/OAR label and a 2005 release for the 12k offshoot, term. This album sets out to capture the particular characteristics of rooms and spaces - something prompted by Asher's attempt to capture the kind of subtle, incidental noises that would invade the quiet of his home studio. This embracing of minor, ephemeral acoustic events is nothing new in experimental music, but when the end product is as understatedly evocative and as exquisitely poised as the music on this release, it all seems very much worthwhile. The album is underscored by a gauzy, wave-like motion, barely suggestive of chord sequences, but the real focus here is on the more fundamental timbral qualities of Asher's abstract and suggestive sound designs. Superb." - Boomkat

Tracklisting:

1 1 (6:34)
2 1.1 (6:14)
3 11 (6:53)
4 1.2 (6:44)
5 13 (6:17)
6 14 (6:49)

The Advisory Circle - Other Channels


Label: Ghost Box
Released: 2008
Style: Experimental, Electronic, Library Music

"The Advisory Circle bring us more timely advice on issues such as domestic isolation, tranquilliser addiction and the nuclear threat. Sumptuous booklet art by Julian House and beautifully evocative liner notes by Ken Hollings complement what we feel to be the strongest Ghost Box release so far.

Light synthesizer melodies and moments of surreal humour float in a drift of pastoral melancholia and fuzzy music concrete. Fragments of public information broadcasting are filtered through the distorting lens of prescription tranquillisers. Malicious gossip becomes jumbled and confused with continuity announcements." - Label

Tracklisting:

1 Callsign 'A' - The TV Trap (0:18)
2 Civil Defence Is Common Sense (2:53)
3 Mogadon Coffee Morning (2:57)
4 Sundial (3:28)
5 Swinscoe Episode 1 - 'Enter Swinscoe' (1:58)
6 Celebrate Michaelmas NOW! (2:41)
7 Fire, Damp & Air (3:45)
8 Frozen Ponds PIF (0:52)
9 Erosion Of Time (3:32)
10 A Clear Yarn Warning (1:14)
11 Keep Warm, Keep Well (2:48)
12 Eyes Which Are Swelling (2:18)
13 Hocusing For Beginners (3:50)
14 The Coastguard (2:43)
15 Swinscoe Episode 2 - 'Release The Birds' (1:45)
16 Farmland, Freeland (3:40)
17 Everyday Electronics (3:20)
18 The Old Schoolhouse (2:37)
19 Callsign 'B' - Freeland Logotone (0:08)

Saturday, January 29, 2011

Senking - List


Label: Raster-Noton
Released: 2007
Style: Abstract, Electronic

"is there beauty in the threatening? with list senking introduces 40 minutes of the darkest matter and reckons: yes.

on list he varies and experiments with a - for raster-noton - frightening diversity of sounds. he reveals the pieces as sound-collages, as quotes, which seem to refer to splatter movie and film noir. following the tremendous plot of his endtime-sujet, he persistently welds together sound spaces in order to compress them later into overwhelming drone-sounds. these as such, then go to serve a fundamental purpose, as an environment for minimalistic themes and melodies, always to be driven by the ever present slow-beat of the pieces. nonetheless the syntax, the destiny of each single piece is highly varied and has the appearance of a much more mature composition, compared to his earlier works."

Tracklisting:

1 Common Business (4:00)
2 Pathogenic Agent (4:26)
3 Come In (4:36)
4 Bohrer (5:35)
5 Great Day (4:41)
6 Gestalt (0:36)
7 Graue Musik (4:24)
8 Mist (4:47)
9 Crevasse (5:04)

Puma - Half Nelson Courtship


Label: Rune Grammofon
Released: 2010
Style: Post Rock, Free Improvisation

'”Half Nelson Courtship” is the third album and the first on Rune Grammofon from this young trio who musically started out as the younger cousins of Supersilent. The new album shows a group with a stronger identity, clearer focus, more mature and fully developed musical ideas and directions. It´s actually not so easy to compare them to anyone, but certain aspects of the 1973 period King Crimson concert improvisations wouldn´t be too far off the mark. But Puma is first and formeost a contemporary and progressive unit making their own path on the ever growing Norwegian experimental scene mixing improvistaion, jazz, electronics and free rock.
Puma is Øystein Moen (synthesizers and electronics), Stian Westerhus (guitar and electronics) and Gard Nilssen (drums). Recorded and mixed by Jørgen Træen." - Label

Tracklisting:

1 Bison Woven (4:02)
2 Half Nelson Courtship (10:09)
3 Last Waltz (6:21)
4 M.E.O.W. (4:14)
5 Gaberdine Lingerie (0:57)
6 Innamorati Osculati (6:14)
7 Knitstep (3:25)
8 East West Horizontal March (3:00)
9 Hachioji Silk Blues (4:07)

Sunroof! - Cloudz


Label: VHF Records
Released: 2003
Style: Abstract, Experimental, Psychedelic

"Bi-annual collection of pillow sound from Bower & Co. Fairly mellow and spacey, ala the "Embroidered Birdsong Nearly Meadows" disc from 2001's Bliss dbl CD. Layers of twinkling keyboard, guitar, unidentified fuzz, short wave, etc. Very much in the style of Harmonia/Cluster in spots. There's a couple of amped-up moments here, including surprise lead guitar action on "tornado rose canoe," and the excellent fuzzgrilled rock of "Primavera." "Best Sunroof Ever" - Neil Campbell" - Label

Tracklisting:

1 Machine (9:33)
2 Grasshopper (3:27)
3 Viva (5:42)
4 Zero (7:58)
5 Universal Acceleration (7:42)
6 Tornado Rose Canoe (7:39)
7 Silver Nazi Suicide (12:23)
8 Primavera (7:59)
9 Silver Zero (7:55)

Monday, January 24, 2011

Alessandro Stefana - Poste E Telegrafi


Label: Important Records
Released: 2007
Style: Experimental

"Poste E Telegrafi is the debut solo album from Italian guitarist Allesandro Stefana. Featuring an allstar cast including Mark Ribot & Leo Abrahams, Stefana creates a dreamy world of instrumental perfection and beauty.

Inspired by the work of Ennio Morricone, Ry Cooder, Simon Jeffes, Steve Reich and Brian Eno, he has created a thoroughly modern Western world within his compositions and arrangements. With constant references to traditional music and rural blues he utilizes electric and acoustic instrumentation with tremendously compelling results. Acoustic, electric, and pedal steel guitars along with banjo, kalimba, baliphones and found objects were all carefully combined with some primitive electronic instruments such as an arpeggiator, omnichord and home made vinyl loops. His sound is entirely original yet clearly rooted in traditions such as Film Music, Blues, Experimental, Ambient and Avante Garde musics.

Stefana manages his cast of collaborators very well. Most tracks on Poste E Telegrafi are duets with these musicians keeping the sound and arrangement simple and pure. Instruments breathe and pulse with life and excitement in this highly original album. To call this a “promising debut” would be to dismiss the tremendous success delivered by Poste E Telegrafi." - Label

Tracklisting:

1 Western Soda (2:50)
2 Semi Tostati Di Cielo (9:16)
3 Motel (3:02)
4 Poste E Telegrafi Blues (4:56)
5 Fiori Campionati (6:16)
6 Whales Cemetery (5:06)
7 Titoli Di Coda (2:58)

Alexander Turnquist - Faint At The Loudest Hour


Label: VHF Records
Released: 2008
Style: Folk Rock, Drone, Experimental

"Faint at the Loudest Hour is the astonishing solo debut by guitarist Alexander Turnquist, part of a young generation of guitar players who have taken their incredible virtuosity and turned it into something actually worth listening to. Like James Blackshaw, Jack Rose, Glenn Jones, etc, this could roughly be described as "raga" guitar, with its long, modal compositions and hypnotic overtone play. Unlike most of his peers, Alex employs a variety of extended techniques ala Hans Reichel, grappling the strings with both hands and using a variety of approaches and attacks on both the steel and wood. There's also a distinct lack of audible "roots" influence here, with Alex sidestepping the Fahey-isms that dominate so much current acoustic guitar music. Along with the 6 & 12 string acoustics, Alex makes subtle use of electronic textures, such as the surprising Fennesz-like dissolve that occurs midway through "amongst a swarm of hummingbirds."' - Label

Tracklisting:

1 Amongst A Swarm Of Hummingbirds (13:29)
2 In The Vein Of Bedlam (11:05)
3 Water Spots Upon My Mind (13:48)
4 White Out (5:02)
5 Mime Fight (10:43)
6 As The Sun Sets, We Think Of Days To Come (3:13)

Friday, January 21, 2011

Dan Abrams - Stream


Label: Mille Plateaux
Released: 2001
Style: Experimental, Minimal

"Dan Abrams is probably better known to most of us as Shuttle 358 or more recently Fenton. This album was his first and only record under his own name and his first for the Mille Plateaux label. Although not hugely different from his work under the Shuttle 358 moniker, it certainly has enough to separate the projects like this. ‘Stream’ is darker and more sparse than Abrams other work, and lacks the deep melodic hit of works such as ‘Frame’ and followup ‘Understanding Wildlife’. However, what we lack in melodic sweetness, we gain in bottom end and this album has a bass growl to it unseen in the rest of his catalogue. Great stuff and another re-surfaced Mille Plateaux gem worth grabbing before it disappears for good." - Boomkat

Tracklisting:

1 Hello (0:11)
2 A Shell (5:44)
3 Academic (6:11)
4 Monsters (4:22)
5 The Theory (4:12)
6 Sim Sun (5:31)
7 Bendy (5:22)
8 Duck Beam (5:35)
9 Freezng (5:12)
10 Stream (4:48)
11 Grammar (4:54)
12 Mr Fish (6:19)

Rafael Toral - Violence Of Discovery And Calm Of Acceptance


Label: Touch
Released: 2001
Style: Abstract, Experimental, Drone

"More oceanic 'calm of acceptance' than 'violence of discovery', these ten Ambient meditations on treated electric guitar, gathered from the last seven years, are like a series of exquisitely poised and iridescent ragas. Hailing from Portugal, Toral's work has been compared to that of Robert Fripp in its exploration of the melodic colour of drones, loops and overtones, using only guitar and analogue equipment. Slow, broadly arcing and snaking coils of sound unfold like a gargantuan reverberating wind chime, or a labyrinth of vast organ pipes. Two or three drones will twist alongside each other, causing harmonic clouds that tremble and melt without setting up much rhythmic interference. The effect is deeply colourist. Whether it climbs its way out of the growling depths, or shimmers into appearance like a scraped gong, each track moves into the same kind of pitch range and lets the Aurora Borealis work its sonic wonders. 'Maersk Line' is more quavering , seesawing and abrasive, and this well judged introduction of movement helps to animate the second half of the album. 'Optical Flow' unexpectedly foregrounds more plucked chimes, falling upon each other like a music box. Other later tracks give a fuzzier feedback edge to the iridescent prowling of the drones, or use the puckered croak of slowly scraped guitar strings to provide stronger textures. The final track steps off into post-rock territory, with, for the first time, a downbeat strumming of plangent chords and a fuzzy background drone (provide, believe it or not, by a recording of 'silence' from a space shuttle mission, broadcast on the Web), which raises the spectre of My Bloody Valentine. Bliss with ballast. " - The Wire

Tracklisting:

1 Desirée (3:58)
2 Measurement Of Noise (6:27)
3 Quiet Mind (4:00)
4 Maersk Line (3:15)
5 Liberté (5:35)
6 Optical Flow (3:51)
7 Energy Nourish (5:15)
8 Hay Que Trabajo Me Cuesta Quererte Como Te Quiero (8:56)
9 We Are Getting Closer (3:57)
10 Mixed States Uncoded (5:00)

Guano Padano - Guano Padano


Label: Important Records
Released: 2009
Style: Jazz, Rock, Western

"This band is tight but they are comfortable enough in each other’s playing to not sound formulaic or over-rehearsed. The music flows in a way that brings to mind the rougher side of surf music, leaving The Beach Boys out in the sun while unkempt youths play their guitars in the shade. The guitar playing of Dick Dale ghosts through this album as the ragged but precise fretwork from Alessandro Stefana provides a treat for the ears. “Epiphany” puts a film noir spin on their music, sounding like Fantômas’ mutilation of Morricone’s “Investigation of a Citizen Above Suspicion” (Stefana has worked with Mike Patton in the past).

The echoes of Morricone are more than just an influence, “El Divino” and “Bull Buster” feature the whistling talents of Alessandro Alessandroni who is responsible for those whistles in the Sergio Leone films. It is impossible not to think of these Guano Padano tracks as out-takes from the Spaghetti Western soundtracks as the group have created a very authentic sounding Morricone-tribute (“El Divino” may as well have a writing credit for Morricone beside it, so perfect does it sound). Another famous guest pops up on “A Country Concept,” namely Gary Lucas (formerly of The Magic Band and guitarist for countless other artists). Here Lucas plays a resonator guitar to add a more authentic Wild West feel to Guano Padano’s music; his bluesy ambience giving the impression that a gunfight is about to go down.

Yet another strand of influence runs through the album as Guano Padano appear to be as serious about American country music as they are about their other passions. A cover of Hank Williams’ “Rambling Man” makes an appearance later in the album, Guano Padano bringing fresh life to the song. Bobby Solo’s vocals are especially evocative; rich with years of experience, his vocals are like grit being blown against the corrugated steel roof of Stefana’s guitar. It is too bad that Solo only appears on this one song, an entire album like this would be something else.

Recently I have been getting more into surf music thanks to exposure to things like Neil Young’s early group The Squires and having a listen to an old tape copy of the Pulp Fiction soundtrack. However, this renewed interest aside, Guano Padano would have struck a chord with me in any case as they are fantastic on their own. Granted their music is not exactly original but it is refreshing in its whole-hearted embrace of styles usually picked apart by modern bands in search of something new hidden in their corpses." - Brainwashed

Tracklisting:

1 Guano Padano (3:40)
2 A Country Concept (6:38)
3 El Divino (4:36)
4 Epiphany (4:40)
5 Bull Buster (3:28)
6 Ramblin Man (3:37)
7 Jack Frost (5:33)
8 Del Rey (4:21)
9 Danny Boy (5:45)
10 Tromp Valley (3:38)
11 El Divino (Alternate Version) (4:37)

Saturday, July 3, 2010

Pan Sonic - Aaltopiiri


Label: Blast First
Released: 2001
Style: Abstract, Minimal, Ambient

"Probably my favourite of all the Pan Sonic albums, this showed a slight departure from their previous efforts. Instead of focussing mainly on distorted technoid beats and extreme sounds, Altopiiri interspersed the hypnotic analogue techno mainstays with gorgeous atmospheric compositions reflecting influences from early electronic composers such as Pierre Schaeffer and Todd Dockstader. These tracks were all made without overdubs - live recordings pitched by Vaino and Väisänen in the studio and improvised as they went on. Listening through the tracks it is hard to hear how they managed such an accomplished finish by working in this way. Many artists never reach the heady peaks of tracks like 'Ensi' or 'Toisaalta' in a lifetime of output, and Pan Sonic manage it in one take. An incredible achievement in electronic music and an essential slice of history, this is an album you need in your collection, minimal or otherwise." - Boomkat

Tracklisting:

1 Ensi (0:38)
2 Vaihtovirta (6:38)
3 Toisaalta (0:31)
4 Johdin (5:46)
5 Kuu (1:26)
6 Ããnipãã (3:49)
7 Arvio (1:24)
8 Liuos (6:16)
9 Ulottuvuus (5:58)
10 Hallapyydys (4:42)
11 Reuna-alue (9:30)
12 Valli (6:19)
13 Kone (4:20)
14 Johto 3 (3:48)
15 Murskaus (1:37)
16 Rasite (0:51)
17 Kierto (6:11)

Walter Wegmüller - Tarot


Label: Kosmische Kuriere
Released: 1973
Style: Krautrock, Prog Rock

"This massive double album is cosmic Krautrock at its finest hour, as visionary Walter Wegmuller leads a tour through the entire major arcane of the Tarot deck while the Cosmic Couriers -- basically Ash Ra Tempel, Wallenstein, and whoever else producer Rolf-Ulrich Kaiser could rope in -- create a remarkable soundtrack encompassing space rock, folk music, funk, psychedelia, and electronic music. Wegmuller's album followed in the footsteps of Timothy Leary's Seven Up, Ash Ra Tempel, and Sergius Golowin's Lord Krishna von Goloka, backed by Wallenstein, the duo Westripp-Witthuser, and keyboardist Klaus Schulze. Tarot, with almost all these musicians on the roster, is the culmination, a bizarre roller coaster ride through sonic soundscapes, while Wegmuller intones in his deep voice, sometimes augmented by more effects, though he often remains silent for long instrumental stretches. From the opening track, a funky number with blazing guitar and rolling piano over which a circus-barker voice announces the band with grand élan, to the side four track's nonstop blast into hallucinogenic after-burn, this one is a monster all the way. Shimmering Ash Ra Tempel guitar freakouts blend with Wallenstein's more rollicking psych rock, Schulze's deep space keyboards, and Westripp's cosmic folk to create strange blitzes of electronic weirdness. This album provide an incredible pallet of styles that all seem to gel in a cohesive mass of pure mystical wonder." - Allmusic

Tracklisting:

1-01 Der Narr (3:55)
1-02 Der Magier (4:39)
1-03 Die Hohepriesterin (4:17)
1-04 Die Herrscherin (4:16)
1-05 Der Herrscher (2:58)
1-06 Der Hohepriester (3:10)
1-07 Die Entscheidung (3:52)
1-08 Der Wagen (5:16)
1-09 Die Gerechtigkeit (3:02)
1-10 Der Weise (4:02)
1-11 Das Glücksrad (3:37)
1-12 Die Kraft (3:28)

2-01 Die Prüfung (4:57)
2-02 Der Tod (1:20)
2-03 Die Mässigkeit (4:47)
2-04 Der Teufel (3:38)
2-05 Die Zerstörung (4:01)
2-06 Die Sterne (6:15)
2-07 Der Mond (2:50)
2-08 Die Sonne (3:03)
2-09 Das Gericht (2:06)
2-10 Die Welt (8:41)
Disc 2

Thursday, June 24, 2010

Jon Hassell - Last Night The Moon Came Dropping Its Clothes In The Street


Label: ECM Records
Released: 2009
Style: Jazz, Ambient

"...Last Night the Moon Came Dropping Its Clothes in the Street is Hassell's first recording since 2005's Maarifa Street: Magic Realism, Vol. 2; it's an assembled montage of sessions recorded in France and Los Angeles, and concerts are also woven into the rich fabric here. Hassell's music, even now, sounds alien, beguiling, mercurial, seemingly formless and airy but full of subtle washes, shifts of tone, and polyrhythmic strategies. The ten cuts here are mostly middle-length pieces that range between five and eight minutes, but three -- "Time and Place," "Clairvoyance," and "Scintilla" -- act as transitions segmenting, however seamlessly, the album into roughly thirds.

The band contains a pair of holdovers from his last outing in bassist Peter Freeman -- who doubles on laptop -- and guitarist Rick Cox, who has been augmented by no less than Eivind Aarset on the instrument. The other new players include Jamie Muhoberacon keyboard and laptop, drummers Helge Norbakken and Pete Lockett, Kheir Eddine M'Kachiche on violin, and Jan Bang on live sampling. Together they root and extend the aerial sound of Hassell's trumpet that flows everywhere and anywhere. Check the simple bass and guitar rhythmic attack on "Abu Gil," the album's longest track, where In a Silent Way's "It's About That Time" meets the desert blues feels of "Anouar Brahem" and the Master Musicians of Jajouka meet the noir-ish ambient funk of early Shriekback. The title track, by contrast, is a long, loping, beautiful number where moods of morning, marketplaces, and nocturnal sunsets all loosely entwine around the listener. The obvious postmodern jazz soloist's approach hovers all around the shapes and colors evoked by keyboards and trumpet in "Courtrais," as soundscape, loops, and ambiences all deepen and widen before being grounded by a subtle but unflinching backbone-slipping bassline by Freeman. Hassell moves toward everything -- samples, drifting sonics, hints of melody, and, for such quiet and subtle music, an impressive harmonic palette -- to create a montage that evokes the timelessness of the past with a firm grasp on the unknowable, perhaps even unspeakable, future. His jazzman's sense of time and phrasing is enhanced by his painterly sense of space and shade. This album is further proof that Jon Hassell inhabits a terrain of his own, and reflects the true vibration of poetry as it meets the human ear as something akin to pure sound." - Allmusic

Tracklisting:

1 Aurora (5:22)
2 Time And Place (3:48)
3 Abu Gil (13:04)
4 Last Night The Moon Came (11:15)
5 Clairvoyance (1:05)
6 Courtrais (5:44)
7 Scintilla (0:50)
8 Northline (6:43)
9 Blue Period (7:58)
10 Light On Water (7:59)

Svalastog - Woodwork


Label: Rune Grammofon
Released: 2006
Style: Abstract, Experimental, Ambient

"True story, as told by Per Henrik Svalastog himself: “I found an old Norwegian zither laying around my grandfather´s barn in the mountains. It appeared that he had been a fiddler before he lost all his fingers at the sawmill and convertet to become a hardcore pietist setting down a prohibition against music, dancing, card-playing and television. That made me want to convert as well, from digital medias to real playing. From electronica to folk music. Back to the sources. Heritage and environment.” So it goes that Per Henrik is playing and improvising on archaic folk instruments like the ram's horn and harpeleik, which is a Norwegian zither. He is then processing it all in the computer, resulting in a detailed and accomplished but soothing and quite hypnotic music. Taking the music out of the city and into the Norwegian woods, and not the arctic regions, as is the popular image if you come from Tromsø and is associated with electronic music. Per Henrik Svalastog is also a member of Information who released the excellent “Biomekano” (RCD2024) on Rune Grammofon in 2002. The previous year he did a stunning SPUNK remix for their “Filtered Through Friends” collection (RCD2022), a track that is also available on the “Until Human Voices Wake Us And We Drown” vinyl box set." - Label

Tracklisting:

1 The Wood Metal Friction (5:13)
2 Snow Tracer (6:24)
3 Reconnecting Joints (4:52)
4 Mouse Tracking (5:58)
5 Centerline Reminder (4:18)
6 Reforestation (4:27)
7 Cow Goat Goat (3:17)
8 Slow Blowing Wireless (3:59)
9 White Oak White Pine (3:47)
10 Rework And Out (3:10)

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